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  • Zeiss - CP.2 Lens Set - SALE

    Zeiss-CP2-Sale-off-facebookInnocinema & Carl Zeiss are pleased to announce a special offer on the CP.2 lenses! Lenses must be purchased in the pre-set bundles, no mix or matching.  Available in EF or PL versions!  There are two options available.  Both sets contain five focal lengths:

    Offer 1: Zeiss - CP.2 Lens Set (T2.9 - T2.1) - EF or PL Mount

    CP.2 15/T2.9
    CP.2 25/T2.1
    CP.2 35/T1.5
    CP.2 50/T1.5
    CP.2 85/T1.5

    List Price = $22,170 SALE PRICE = $15,607.68

    Offer 2: Zeiss - CP.2 Super Speed Lens Set (T2.9 - T1.5) - EF or PL Mount

    CP.2 15/T2.9
    CP.2 25/T2.1
    CP.2 35/T1.5
    CP.2 50/T1.5
    CP.2 85/T1.5

    List Price = $24,100 SALE PRICE = $19,087.20

  • Innocinema - Black Friday, Small Business Saturday, & Cyber Monday SALE!!

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    unknownINNOCINEMA FEATURED SALE: UP TO 12% OFF select Pro Camera Accessories, Lenses, and more from ARRI. Inc !

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    Innocinema SCL Equipment Finance

  • RED EPIC-W & WEAPON HELIUM 8K S35 35.4 Megapixel shipping!

    EPIC-W & WEAPON HELIUM 8K S35img_3581Innocinema is excited to announce the arrival of the newest addition to the RED family, the EPIC-W and WEAPON HELIUM, both sporting the new and improved HELIUM 8K S35 sensor. Besides the jaw dropping increase in pixel resolution, this new sensor uses a revolutionary new color science that will set a new standard to the power behind RED's imagery. Its something you have to see to believe...

    Our first shipment of EPIC-Ws are here today (above), October 11th, as promised! Some of our lucky customers will be among the first in the world to see it today as people come to pick up and others are shipped out. For those of you still on the fence, or just now learning of this revolution, check out the below videos to see a small taste of what this new sensor has in store.

    Innocinema is an official RED Digital Cinema Authorized Dealer. We have priority allocation on these new cameras and have already placed stock orders prior to this launch. We still have some slots left. However, these are filling up extremely fast! These are shipping rather quickly, so if you act now and place an order at either of these EPIC-W or WEAPON HELIUM 8K S35 customizable "Build Your Own Package" links, we likely can have your order fulfilled much sooner!

    The Underdog | Shot on WEAPON with HELIUM 8K S35 Sensor

    Behind the scenes of “The Underdog | Shot on WEAPON with HELIUM 8K S35 Sensor”

    RED HELIUM 8K S35The EPIC-W and WEAPON HELIUM 8K S35 boasts a huge 35.4 megapixel sensor.  The WEAPON HELIUM 8K S35 gives filmmakers the freedom to capture 8K 2.4:1 at up to 75 frames per second (fps), and 8K Full Frame at 60 fps. The EPIC-W captures 8K 2.4:1 and Full Frame at 30 fps. Both have 16.5+ stops of dynamic range, 3.3 lbs (BRAIN with Integrated Media Bay), and Integrated REDLINK WiFi Antenna. Their enhanced design features a number of enhancements including automatic black shade calibrations, improved low light sensor performance, and an intelligent OLPF system. EPIC-W and WEAPON HELIUM 8K S35 cameras are also equipped to support 3D LUTs—giving colorists and post production teams more control than ever before.

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    Sensor size overview chart - Click to enlarge.

    RESOLUTION MATTERS.

    Capturing at higher resolutions creates more immersive and evocative imagery—and RED has been the industry standard for high quality imaging since igniting the 4K revolution in 2007. RED sensors capture up to 17x more resolution than HD while shooting in 8K and 9x more resolution while shooting in 6K. From the finest details to the most expansive vistas, everything comes to life with unprecedented realism—offering you more creative flexibility in post, better VFX, smoother lines, and future-proofed footage as formats evolve.

    INCREDIBLE DYNAMIC RANGE.

    RED sensors offer over 16 stops of dynamic range, something that was once thought impossible for a digital motion camera. Wide latitude provides cinematographers and photographers with the ability to take on challenging lighting conditions without the need for excessive filtration—making it easier to take on the unpredictable and capture the unbelievable.

    YOUR WORKFLOW. SIMPLIFIED.

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    Shooting RAW has never been this easy. RED’s proprietary REDCODE RAW file format, also referred to simply as R3D, gives you maximum flexibility during post. R3D files can be used within industry standard post-production suites for editing, VFX, conforming, and grading. The structure of R3D data allows for non-destructive editing—maintaining the integrity of the original footage while maximizing image quality and reducing storage requirements. In addition, our DSMC2 cameras offer even greater creative freedom via their ability to simultaneously record in both R3D and Apple ProRes or Avid DNxHR/HD.

    STILLS FROM MOTION.

    RED cameras pack the same detail you expect from a DSLR into a cinema camera, allowing you to seamlessly pull stills from any of your video shoots. Our RED sensors produce up to 35 million pixels in any shot, blurring the line between motion and still cameras—giving you the best of both worlds.

    READY FOR ANYTHING.

    RED cameras are engineered from the ground up to deliver cutting-edge performance in any environment. Whether you build your camera to be as lightweight as possible, or work with a complex studio configuration, our cameras will deliver cinema-quality images and professional-grade stills wherever your journey takes you.

    FUTURE-PROOF YOUR INVESTMENT.

    RED is committed to placing adaptable, high-end creative tools in the hands of professionals everywhere. We offer a variety of upgrade paths to cutting-edge products, accessory compatibility within our camera families, and imagery that is ready for the next generation of high resolution displays. We recognize shooters should have the option to move between camera systems without having to purchase all new gear and this makes us relentless in our mission to make OBSOLESCENCE OBSOLETE.

    lifestyle_3_blogDSMC Lens Mount: (EPIC-W does not come with lens mount, lens mount required)

    RED Digital Cinema DSMC AL CANON MOUNT (CAPTIVE)
    RED Digital Cinema DSMC TI PL MOUNT (CAPTIVE)
    Others

    RED Touch Monitor, EVF, & Accessories:
    RED Digital Cinema DSMC2 RED TOUCH 7.0" Aluminum LCD
    RED Digital Cinema DSMC² RED TOUCH 4.7” LCD
    RED Digital Cinema DSMC2 LEMO ADAPTOR COLLECTION (mounts DSMC2 monitor off camera)
    Others

    Camera Modules:
    RED Digital Cinema DSMC² BASE EXPANDER
    OFFHOLLYWOOD OMOD Specialized “Base Expander like” Modules

    Battery Modules: (fits on back of Base Expander-like modules)
    Wooden Camera Cableless
    RED DSMC2 V-Lock
    RED Digital Cinema DSMC² BASE I/O V-LOCK EXPANDER (not compatible with add on modules)

    Camera Media: (512gb version or greater required to work with faster data rate options)
    RED Digital Cinema RED MINI-MAG 512GB
    RED Digital Cinema RED MINI-MAG 512GB (4-PACK)
    Others

    Mounting, Cage, & Handle Options:
    RED Digital Cinema DSMC² TOP HANDLE (Cableless Start & Stop button)
    RED Digital Cinema DSMC² OUTRIGGER HANDLE (Cableless Start & Stop button)
    RED Digital Cinema DSMC2 UNIVERSAL HANDLE
    Wooden Camera Options
    OFFHOLLYWOOD Options

    Custom Laser Cut Hard Case:
    RED Digital Cinema WEAPON Package Case
    RED Digital Cinema SCARLET-W Package Case

    Extended Warranties: (Can only be added during initial purchase)
    RED ARMOR - EPIC-W Extended total 3-Year Warranty
    RED Armor - WEAPON 8k Helium Extended total 3-Year Warranty

    Innocinema SCL Equipment Finance

  • OFFHOLLYWOOD OMOD & AKS Systems now at Innocinema

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    Extend the functionality and features of your RED® WEAPON, SCARLET-W & RAVEN DSMC2 cameras with advanced signal and power I/O and lens control integrated OMOD™ camera modules from OFFHOLLYWOOD. The first authorized 3rd Party modules for RED DSMC2 cameras.

    WIRELESS VIDEO

    Directly attach an OMOD TX wireless video transmitter to any OMOD and then attach any DSMC2 compatible battery module onto the back of the OMOD TX for cable free wireless video transmission.

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    OMOD TX MR (medium range) pairs with existing TERADEK BOLT 600 or PARALINX Arrow-X receivers and OMOD TX LR (long range) pairs with existing TERADEK BOLT 2000 or PARALINX TOMAHAWK receivers. In addition, both OMOD TX MR and OMOD TX LR will pair with TERADEK Bolt Sidekick Receivers.

    WIRELESS LENS CONTROL

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    Integrated, internal RF lens control receiver options are available from cmotion and RTmotion/Latitude. Choose between cmotion compact/LCS, cmotion cvolution or RTmotion compatible OMOD models.

    POWER

    All OMOD models feature the standard DSMC 6-pin LEMO for DC power input to be fully compatible with legacy DSMC battery plate solutions and are also compatible with any DSMC2 Battery Module such as DSMC² REDVOLT XL MODULE or the Element Technica W – V Mount Battery Module and the W – Gold Mount Battery Module.

    THE C3 ENGINE

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    Command, Control and Communications between the camera, cinematographer and crew on the connected set with The C3 Engine.

    The C3 Engine is cortex of the OMOD project. It is the post-modern, new-school film lab. On the camera. Designed with a flexible, customizable architecture powered by an independent processor and powerful FPGA in constant communication with the camera and connected applications.

    OMOD models with The C3 Engine feature advanced signal path options and color processing functionality with three independent HDSDI outputs. The DSMC2's HDMI monitor path is converted to 10 bit HDSDI with re-embedded timecode. CDL/1024 1D LUTs and 33x33x33 3D LUTs with ACES compliance, all in realtime, wirelessly to the camera. Realtime resolution and frame-rate conversions including 1080 60i output.

    REAL-TIME HDR-2084 MONITORING

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    Output the leading HDR display standard, SMPTE 2084, real-time HDR images while shooting in addition to simultaneous monitoring standard dynamic range (SDR).

    INTEGRATIONS

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    The C3 Engine is integrated with industry leading live-grading solutions Pomfort LiveGrade and CODEX Live and QTAKE Advanced Video Assist. Grade CDLs, and 3D LUTs live and wireless direct to the camera from a laptop or iOS device. Additional integrations are in the works.

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    The C3 Engine shares that same API and color processing hardware as Teredek's COLR. All functions that are, or become enabled on the COLR will be enabled in any OMOD model with The C3 Engine. Multiple OMODs can sync looks between each other and also sync with Teradek COLR units on other cameras.

    MONITOR CALIBRATION INTEGRATION

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    OFFHOLLYWOOD and SpectraCal have collaborated to make any OMOD the ultimate calibration weapon. SpectraCal’s CalMAN software, the industry standard for ensuring accuracy in video displays, directly drives any OMOD that featured the The C3 Engine, providing an automatic and seamless experience. The OMOD delivers the necessary video test patterns at CalMAN’s direction. CalMAN measures the display’s output, creates a 3D display correction LUT, and loads it into the OMOD onto any specific SDI monitor output path allowing three independent outputs with monitor specific calibration LUTs.

    WIRELESS INTERNAL TIMECODE & GENLOCK

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    The C3 Engine includes an integrated AMBIENT ACN TimeCode Module for receive/transmit and sync timecode wirelessly to any AMBIENT ACN slate or device like the Tiny Lockit or Master Lockit. Internally generated genlock assure precise shutter sync with the timecode.

    RCP AWARE

    Constantly communicating with the RED DSMC2 camera brain via REDLINK Command Protocol (RCP), the processor on The C3 Engine is constantly aware of all of the camera settings and can parse and even create RCP commands for custom functionality.

    ADVANCED MASTER / SLAVE

    The C3 Engine has a master / slave port that allows you to connect DSMC2 cameras together with one cable and and have another camera in "slave mode" and replicate all, or any specific defined parameters from the master camera, ideal for 3D applications.

    They are currently in development on the OMOD-VR BRAIN, which is small box that allows up to 12 OMODs with The C3 Engine to plug into it with a single cable from OME's Master / Slave port and give granular master slave control from one master camera to up to 11 slave cameras for VR and panorama productions - all with perfectly sync'd shutters and timecode.

    META DATA MONSTER

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    The C3 Engine features a micro-sd card which can be used to load and store additional CDLs and 3D LUTs in addition to capturing meta data from external serial devices or integrated lens control systems. The C3 Engine's dual-band WiFi can be configured to push the captured data to the cloud without disturbing the camera functions or control via the cameras own internal WiFi.

    OMOD PRO AUDIO

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    OMOD models that feature OMOD PRO AUDIO have best-in-class pre-amps, push-to-operate controls, high pass filters, AES digital audio input and per channel line / mic levels and Phantom power (+48V) empowering documentary filmmakers and ENG operators with professional, high quality in-camera audio.

    AKS DSMC2 Camera Accessories, kits, and Cables

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    DSMC2 Standard Top Plate: The OFFHOLLYWOOD DSMC2 Standard Top Plate is a low profile (10mm high) top cheese-plate that attaches to any DSMC2 camera brain via 1/4-20 screws.

    It has 58 x 1/4-20 threaded mounting holes and 5 3/8-16 threaded mounting holes with ARRI accessory alignment patterns.

    Pogo pins allow run / stop trigger from DSMC2 handles that feature integrated record start/stop buttons and allow handles to be reversed and extend in the direction of the lens. Attach the RED 7" or 4.7" Touchscreen or LEMO Adapter without interference with the plate.

    DSMC2 Riser Plate: The OFFHOLLYWOOD DSMC2 Riser Plate shims your DSMC2 camera up to standard accessory height standard bridge plates.

    DSMC2 SIDE ARMS: Use OFFHOLLYWOOD DSMC2 SIDE ARMS to make a cage with our Riser and Top Plate options.

    Choose or combine three options:

    Wide - our most popular arm clears the SSD Module on the Operator side of the camera and features (2) angles 3/8-16 holes in addition to (5) ARRI patterned 3/8-16 holes and (8) 1/4-20 holes. Can be used on both sides of the camera. (** improved design shipping June 1st)

    Standard - this low profile arm clears the SIDEKICK and features (7) ARRI patterned 3/8-16 holes and (12) 1/4-20 holes. Can be used with or without an OMOD and can only be used on the "AC side" of the camera.

    OMOD Low Profile - this arm is designed specifically for using an OMOD with your DSMC2 camera. Ultra-low profile that mounts in the space typically taken by RED's Base Expanders connectors - features (4) ARRI patterned 3/8-16 holes and (6) 1/4-20 holes

    DSMC2 SIDE PLATE: This bracket attaches to any top plate or riser with 9mm spaced 1/4-20's. It features two captive 1/4-20 screws and have 1 x 3/8-16 tapped hole with ARRI pattern and 9 x 1/4-20 tapped holes with 9mm spacing. This plate can also be used to screw down horizontally onto a top plate or cheeseplate to add a 3/8-16mm tapped hole w/ARRI pattern.

  • Innocinema RED Digital Cinema Authorized Dealer - March 26th Demo Day

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    We are excited to announce that Innocinema is now a RED Digital Cinema authorized dealer. Come help us celebrate by coming to our showroom to get some hands on demonstration and training for some of RED's newest cameras and accessories.

    Tickets are only $10 a person! RSVP and purchase your tickets here!

    We celebrated the arrival of the NEW RED WEAPON® at our Atlanta Film Community November 21st event! It was a fantastic turn out with lots of detailed hands on demonstrations with industry leading Cinema & TV Production gear. Scroll down to see pictures of the event.

    Equipment Highlights:

    - RED Digital Cinema Carbon Fiber WEAPON®
    - RED Digital Cinema EPIC-X DRAGON®
    - RED Digital Cinema SCARLET-W®
    - RED Digital Cinema RAVEN™
    - RED Digital Cinema 3-AXIS Lens Control System
    - ActionProducts EPIC/DRAGON/WEAPON Modular Accessories
    - ActionProducts ActionCam Raptor PRO stabilizer
    - ActionProducts RAZOR 2.0 Shoulder Mount
    - Bright Tangerine Matte Boxes
    - OConnor 1030D + 30L Carbon Fiber Tripod System
    - Sachtler DV 10 SB Tripod Package
    - Schneider Optics Xenon FF Lens Set
    - Zeiss CZ.2 70-200mm/T2.9
    - Zeiss Otus Lens Set
    - Zeiss Milvus ZE Lens Set
    - Sony CineAlta 4K Lens Set
    - Cinemills ATL Lighting & Grip

    RED WEAPON®:

    Leveraging the award-winning 6K RED DRAGON® sensor, WEAPON® is engineered from the ground up to deliver cutting-edge performance in the most intuitive camera experience possible. The WEAPON® is available in Forged Carbon Fiber, Woven Carbon Fiber, and Magnesium. All versions can be purchased through Innocinema. WEAPON® boasts an arsenal of improvements and features that include an intelligent OLPF system, blazing fast data transfer rates up to 300 MB/s, in-camera 1D and 3D-LUT outputs, and the freedom to simultaneously record in REDCODE® RAW and Apple ProRes file formats. Carbon Fiber WEAPON® owners also have the option to upgrade their current 6K sensor to 8K when it becomes available.

     

     

    Latest Music Videos shot with the RED WEAPON®:

    Taylor Swift - Out Of The Woods: This a great example showing how you can get a creamy, silky, look with the color on the WEAPON® sensor. The video shows a great verity of low light, desaturated color, to vibrant bright clean color looks.

    Taylor Swift - Wildest Dreams: This example is great to show rich, clean, and smooth color look with a lot of great slow-motion shot with high frame rates, time lapse shot with low frame rates, and changes in the shutter to create different effects.

    SCARLET-W_Kitted_squareRED SCARLET-W®:

    SCARLET-W® combines RED’s intuitive camera design—including integrated mounting points, interchangeable lens mounts, simultaneous REDCODE® RAW and Apple ProRes recording formats, intelligent OLPF system, and in-camera 3D LUT outputs—with a RED DRAGON® sensor to provide a solution that blends flexibility and accessibility with high-end performance. SCARLET-W® gives you the ability to capture your vision exactly as you see it: 5K at 60 frames per second (fps), 4K at 150 fps, or 2K at 300 fps with REDCODE

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    RED RAVEN™:

    RED RAVEN™ harnesses a 4.5K RED DRAGON® sensor—with REDCODE RAW (R3D) recording capabilities in 4.5K at up to 120 fps and in 2K at up to 240 fps—to provide cinema-quality creative tools to content creators everywhere. Weighing in at just 3.5 lbs, RED RAVEN™ gives you the ultimate blend of flexibility and performance. Whether shooting for documentaries, online content creation, indie filmmaking, or with drones and gimbals—RED RAVEN™’s durable, lightweight construction is ideal for any situation.

    LATEST VIDEOS SHOT WITH THE RED RAVEN™:

    "CARRION" - Shot on RED RAVEN™ 4.5K: “Carrion" unveils footage from the 4.5K RED RAVEN™—RED's most compact camera to date. Shot completely on a RED RAVEN™ fitted with the new Zeiss Milvus lenses (also demoed at this event), “Carrion” showcases the versatility and capture capabilities of the camera through stunning images shot in an array of lighting conditions and frame rates. Boasting the incredible dynamic range and color science of the RED DRAGON® sensor, RED RAVEN™ empowers shooters to achieve best-in-class image quality without having to compromise.

     RED RAVEN™ Impressions: 4.5K!: An exclusive first look at RED's digital cinema camera brothers, RED RAVEN™ and SCARLET-W®!

     

    0 Down & No Payments for 90 Days if purchased before April 15th:

    Innocinema is also proud to promote our official financing partner, SCL Equipment Finance, providing all equipment financing needs for our customers in USA and Canada. SCL Equipment Finance is a trusted name in the Film Industry for equipment leasing, and we are excited to partner up with them to handle financing services with our customers. They have a dedicated Innocinema team to help achieve financing for any production equipment needs.

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    Last but not least, we are excited to be working together with Indie Film Loop to help provide a better experience for everyone involved in the Film Community of Atlanta, Georgia and surrounding areas. Innocinema is working together with both organizations to help organize more networking, workshops, and other film industry events in the Atlanta area. With Innocinema's strong vendor base for of professional production equipment, there is a lot of potential for future in-depth workshops to teach about industry standard gear used to make your favorite movies and TV shows. Stay tuned, much more to come...

    Come See Us in Atlanta!

    RED Demo Day 2015 Event Pictures:

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    RED WEAPON® Woven Carbon Fiber #111 UN-BOXING:

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